Yellow Label with black Print and Deep Groove A Division of LOEW´s Incorporated". Matrix, Runout (Small Machine Stamp Side 1): E3105 S1. Matrix, Runout (Small Machine Stamp Side 2): E3105 S2. Other Versions (1 of 1) View All. Cat.
Bachianas Brasilieras No. 4 For Solo Piano. Villa-Lobos - Menahem Pressler, Piano, MGM Chamber Group Conducted By Theodore Bloomfield. Villa-Lobos - Menahem Pressler, Piano, MGM Chamber Group Conducted By Theodore Bloomfield - Music Of Villa-Lobos (Bachianas Brasilieras No. 1 For Eight Celli, Bachianas Brasilieras No. 4 For Solo Piano) (LP, Mono, RE). MGM Records, MGM Records. Heitor Villa-Lobos Cello Ensamble Conducted By Theodore Bloomfield ; Solo Pianist: Menahem Pressler - Bachianas Brasilieras No. 1 For Eight ´Celli; No. 4 For Solo Piano DOWNLOAD
Rio de Janeiro: Heitor Villa-Lobos, 1941. Plate 1057, 1058, 1060, 1061. Original (W264): Piano Orchestral version (W424): 1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 2 bassoons, 1 contrabassoon, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, tam-tam, xylophone, celesta, strings. php?title Bachianas brasileiras No. 4, W264, 424 (Villa-Lobos, Heitor)&oldid 1696061.
Work Title: Bachianas brasileiras N. Composer : Villa-Lobos, Heitor Opus/Catalogue Number: W264 (piano); W424 (orchestra) Movements/Sections: 4 Year/Date of Composition: 1930-41 (original); 1942 (orchestral version) First Performance: Original version - 1939-11-27 José Vieira Brandão (piano) Orchestral version - 1942-07-15 in Rio de Janeiro Villa-Lobos (conductor) ; Orquestra do Theatro Municipal.
Bachianas Brasileiras No. 5, Villa-Lobos, Gothenburg Symphony Orchestra. dur. Kaori Fujii & Eric Cecil: Bachianas Brasileiras N., . illa-Lobos, 藤井香織＆E. Villa-Lobos, Menahem Pressler, 1953: Bachianas Brasileiras No.
Album · 2005 · 29 Songs. Kenneth Schermerhorn & Nashville Symphony. 4 (version for piano): I. Prelude (Introduction): Lento by Jean Louis Steuerman. This set along with a recent set of Villa-Lobos' symphonies (on CPO) may very well be some of the most important classical releases in recent years. I urge all Villa-Lobos fans to pick-up this set even if you already have several recordings of the "Choros" and "Bachianas. Villa-Lobos was always interested in expressing Brazilian themes and traditions through the media of classical European forms - orchestral, string quartet, other chamber configurations, etc. His selection of compositional form was often influenced by the people he met. His experiences and friendships with Arthur Rubinstein and Andres Segovia, for example, led to his composition of more piano and guitar music than may have otherwise been the case.