Performer: Johann Sebastian Bach
Title: Cantatas BWV 186 - 168 - 134 - 54 ›Widerstehe Doch Der Sünde‹
Released: 2013
Style: Baroque
Rating: 4.4
Votes: 431
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These performances of Bach cantatas for the seventh and ninth Sundays after Trinity, the third day of Easter, and perhaps the third Sunday in Lent are part of a series by La Petite Bande and its leader Sigiswald Kuijken, performing Bach cantatas covering the entire liturgical year. They are in the fashionable one-voice-per-part style, perfect for groups aiming to avoid strenuous fundraising rigors.
Johann Sebastian Bach, La Petite Bande, Sigiswald Kuijken - Cantatas BWV 186 - 168 - 134 - 54 Widerstehe Doch Der Sünde‹ (SACD, Hybrid, Multichannel). Vol. 18. Johann Sebastian Bach - La Petite Bande, Sigiswald Kuijken.
Widerstehe doch der Sünde (Just resist sin), BWV 54, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for alto in Weimar between 1711 and 1714, and probably performed it on the seventh Sunday after Trinity, 15 July 1714. It is Bach's first extant church cantata for a solo voice. The text of the short work was written by Georg Christian Lehms, for two arias and a connecting recitative. The topic is to resist sin, based on the Epistle of James.
La Petite Bande, Sigiswald Kuijken. The varying acoustic take the listener momentarily by surprise, though they're well recorded. BBC Music Magazine, February 2014, Mor. elease Date: 28th Oct 2013. Catalogue No: ACC25317. Series: Kuijken Bach Cantatas. Bach, J S: Cantata BWV54 'Widerstehe doch der Sünde'. Siri Thornhill, Elisabeth Hermans, Yeree Suh (soprano), Petra Noskaiová (alto), Christoph Genz (tenor) & Jan Van der Crabben (bass).
repeated performances of solo cantatas from his Weimar period based on texts by Georg Christian Lehms, Mein Herze schwimmt im Blut, BWV 199, and Widerstehe doch der Sünde, BWV 54. He Used other texts by Lehms before turning to other librettists. Bach's solo cantatas are modeled after secular Italian works by composers such as Alessandro Scarlatti. ISBN 978-3-82-587196-3. Kruse, Andreas (2014).
(Weimar years) - Cantata BWV 54 Widerstehe doch der Sünde (1st performance, Weimar) (? or Occuli) +(1735-1740) - Cantata BWV 187 Es wartet alles auf dich (2nd performance, Leipzig) +(1746-1749) - Cantata BWV 186 Ärgre dich, o Seele nicht (2nd performance, Leipzig) +(February 12, 1725? - not a date of 7th Sunday after Trinity) - . Telemann: Cantata BWV Anh 1 Geseget. There is documentation that Bach did present his own compositions on at least four occasions during Trinity Time 1725: Cantatas BWV 168 (Trinity +9), 137 (Trinity+12), Cantata 164 (Trinity +13), and 79 (Reformation Day). Bach increasingly performed works of his colleagues in place of his own, not only from numerous cantata cycles of Telemann and Stözel but also Fasch, Graupner, and others.
Widerstehe doch der Sünde". Volume I - Solo Cantatas. 1. Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria. Widerstehe doch der Sünde". Top Songs Johann Sebastian Bach. Bach Piano Transcriptions 9: A Bach Book for Harriet Cohen.
Seventh Sunday After Trinity | ||
„Ärgre Dich, O Seele, Nicht” BWV 186Bassoon – Rainer JohannsenOboe – Ann Vanlancker, Daniel Dehais*, Patrick BeaugiraudOrgan – Benjamin AlardViola – Marleen Thiers*Violin [I] – Katharina Wulf, Rachael Beesly, Sigiswald KuijkenViolin [II] – Giulio D'Alessio, Sara KuijkenViolone [Basse De Violon] – Inka Döring, Koji Takahashi |
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1 | Chorus: „Ärgre Dich, O Seele, Nicht” | 2:39 |
2 | Recitative: „Die Knechtgestalt, Die Not...” | 1:42 |
3 | Aria: „Bist Du, Der Mir Helfen Soll” | 2:35 |
4 | Recitative: „Ach, Dass Ein Christ So...” | 2:11 |
5 | Aria: „Mein Heiland Lässt Sich Merken” | 2:53 |
6 | Chorale: „Ob Sich's Anließ, Als Wollt Er Nicht” | 2:03 |
7 | Recitative: „Es Ist Die Welt Die Große...” | 1:51 |
8 | Aria: „Die Armen Will Der Herr...” | 3:36 |
9 | Recitative: „Nun Mag Die Welt...” | 1:36 |
10 | Duet: „Lass, Seele, Kein Leiden” | 3:42 |
11 | Chorale: „Die Hoffnung Wart' Der Rechten Zeit” | 2:01 |
Ninth Sunday After Trinity | ||
„Tue Rechnung! Donnerwort” BWV 168Oboe – Patrick Beaugiraud, Yann MirielOrgan – Ewald DemeyereViola – Marleen Thiers*Violin [I] – Katharina Wulf, Sigiswald KuijkenViolin [II] – Giulio D'Alessio, Sara KuijkenViolone [Basse De Violon] – Eve François, Koji Takahashi |
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12 | Aria: „Tue Rechnung! Donnerwort!” | 3:18 |
13 | Recitative: „Es Ist Nur Fremdes Gut” | 1:55 |
14 | Aria: „Kapital Und Interessen” | 3:38 |
15 | Recitative: „Jedoch Erschrocknes Herz” | 1:56 |
16 | Duet: „Herz, Zerreiß Des...” | 2:25 |
17 | Chorale: „Stärk Mich Mit Deinem Freudengeist” | 1:02 |
Third Day Of Easter | ||
„Ein Herz, Das Seinen Jesum Lebend Weiss” BWV 134Oboe – Patrick Beaugiraud, Vinciane BaudhuinOrgan – Ewald DemeyereViola – Sara KuijkenViolin [I] – Annelies Decock, Sigiswald KuijkenViolin [II] – Ann Cnop, Masanobu TokuraVioloncello [Violoncello Da Spalla] – Sigiswald KuijkenViolone [Basse De Violon] – Marian Minnen, Michel Boulanger |
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18 | Recitative: „Ein Herz, Das Seinen...” | 0:34 |
19 | Aria: „Auf, Gläubige, Singet...” | 6:01 |
20 | Recitative: „Wohl Dir, Gott Hat...” | 2:02 |
21 | Duet: „Wir Danken Und Preisen...” | 8:11 |
22 | Recitative: „Doch Wirke Selbst...” | 1:44 |
23 | Chorus: „Erschallet, Ihr Himmel, Erfreue Dich...” | 7:22 |
Oculi | ||
„Widerstehe Doch Der Sünde” BWV 54Organ – Benjamin AlardViola – Marleen Thiers*Violin [I] – Jin Kim, Sigiswald KuijkenViolin [II] – Barbara Konrad, Fiona-Émilie Poupard*Violone [Basse De Violon] – Marian Minnen |
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24 | Aria: „Widerstehe Doch Der Sünde” | 6:48 |
25 | Recitative: „Die Art Verruchter Sünden” | 1:09 |
26 | Aria: „Wer Sünde Tut, Der Ist Vom Teufel” | 2:57 |