Emily Wells was born in Amarillo, Texas, United States. Her father was a music minister, and Wells began playing the violin at age four. In 1990 she moved with her family to Indianapolis, Indiana, where she lived until she began traveling in 2000. At age thirteen she began issuing her own recordings on cassette, starting with an unofficial release with 100 copies.
Music For Geek Love (CD, Album). Not On Label (Emily Wells Self-Released).
This song is by Emily Wells and appears on the album Music For Geek Love (2004). The past is prophetic; some days I am poetic. Some days I know the rules, some days I play with them. I am the orchard and the tree; I am my own worst enemy. Jump start my lungs, kick the lever. I've gotten way too clever. The past is poetic; some days I am pathetic.
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Emily Wells' songwriting combines electronics, orchestral strings, jazz structures, pop sensibilities, and vibrato-laden vocals into one eclectic package. A former child prodigy, she began fielding offers from record labels during her teenage years. Wells balked at the idea of relinquishing creativ. .
Emily Wells has stripped off her own armour, leaving only her crystalline voice and equally unambiguous songwriting on display. String-laden single ‘Passenger’ is released on April 29th. Its noir-ish tone is cinematic in its scope - a song that becomes a real focal point of Mama. Watch the video for ‘Passenger’ here: ww. outube. com/watch?v MXAaPvVaZDQ. From the start of her career, Wells’ musical interests were simply too wide ranging for just one instrument. The female singer-songwriter stable may be packed with unique voices and varying degrees of talent, but Emily Wells is an artist whose innate complexities lift her out of that particular stable and into a realm all of her own. emily wells mama stoker becomes the colour kid koala dan automator pillowfight.
Beautiful Sleepyhead and the Laughing Yaks. Sort name: Wells, Emily. Born: 1981-11-20 (37 years ago).
com New Album "This World Is Too For You" out now via Thesis & Instinct Records. My movements are actions of love, mimicry, isolated protest. My movements illustrate willful blindness eracting with people on the physical plane. My movements illustrate this dichotomy. My movements illustrate a fury and a sorrow at the prognosis for our planet. I am interested in the relationship between the history of the AIDS crisis and our current climate crisis and what silence death means in this context.