cords by Jan Jelinek, released 28 April 2017 1. Moiré (Piano & Organ) 2. Rock In The Video Age 3. They, Them 4. Them, Their 5. Tendency 6. Moiré (Strings) 7. Do Dekor 8. Drift 9. Moiré (Guitar & Horns) 10. Poren 11. Audio Liner Notes (The Village Vanguard) Faitiche is delighted to present a long-lost vinyl album: for the last 14 years, Jan Jelinek's cords, originally released in 2001 on ~scape, existed only as a download. Faitiche is delighted to present a long-lost vinyl album: for the last 14 years, Jan Jelinek's cords, originally released in 2001 on ~scape, existed only as a download. What the press said about cords
Listen free to Jan Jelinek – cords (Moiré - Piano & Organ, Rock In The Video Age and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. A new version of Last. Overview (current section).
Jan Jelinek - cords The title of cords seems like a red herring.
One of the great electronic releases of ALL TIME. Hosted Jan in NYC in 2004 and he was such a wonderful guy. The repress maybe doesn't sound QUITE as good to me as my original, but hey. Glad its out. 답글 나에게 알림 Helpful. 2017년 10월 31일. 신고. Besides the Brownswood records from Gilles Peterson, this re-issue is amongst the very best of pressings I've acquired in recent years.
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So while his music may well be just as theory-based as his peers, Jelinek's work has a strong emotional component that at times verges on the sentimental. cords is Jelinek's first full-length under his own name, but it's not far from his fine records as Farben and Gramm. The rhythms are more varied here, and Jelinek is working with a richer sound palette centered on warm, fuzzy chords and static.
Rock In the Video Age, 08:03. Unfortunately, the station stopped broadcasting. Perhaps, this is a temporary station problem. You can leave your e-mail and we will let you know when the broadcast of the station will be online again: Or listen to the other country dec name stations.
In stock now for same day shipping. Loop Finding Jazz Records. Taking what reads like a pretty austere set of ingredients, Jelinek's technique revolves around a trilogy of elements which consists of second long cuts of 1960s-70s jazz recordings, the loop-finding modulation wheel (do your homework!) and the Moiré effect; albeit rendered in the acoustic as opposed to the image and spectral domains.