A. –Alves Noto E Il Suo Complesso. Written-By – Migliacci, Meccia. B. –Rosy (3) - Quartetto Godi. Written-By – F. Godi. Companies, etc. Published By – Silver Gold (2).
A. –Rosy - Quartetto Godi. Published By – Silver Gold. Published By – Ed. Ariston. Side A: Published by Silver Gold/Ariston.
Album · 2006 · 26 Songs. By Giacomo Puccini - Leontina Vaduva, Thomas Hampson, Simon Keenlyside, Antonio Pappano, Philharmonia Orchestra, Philip Sheffield & Roberto Alagna. 11. La Bohème, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE: Beviam!. Ch'io beva del tossico! (Mimìhaunard/Colline/ Alcindoro/Musetta).
George Frideric Handel (Composer), Alan Curtis (Conductor), Il Complesso Barocco (Orchestra), Joyce DiDonato (Performer), Karina Gauvin (Performer), Sabina Puertolas (Performer), Marie-Nicole Lemieux (Performer), Topi Lehtipuu (Performer), Matthew Brook (Performer), Anicio Zorzi Giustiniani (Performer) & 7 more Format: Audio C. Sample this album Artist - Artist (Sample).
Back in 2008, noted experimentalist Alva Noto began a sporadic series of albums that were far more focused on dancefloor-inspired rhythms than his usual eccentric and inspiring fare. Unieqav is the third and, we're told, final part of the series. The album is apparently meant to be a sonic representation of an underwater dive, a conceptual theme which manifests itself through the storied producer's use of deep and atmospheric chords, fluid and occasionally glistening electronics, and rhythms that evoke images of ever-deeper dives into the dark, cold depths.
Sakamoto magic orchestra noto nicolai museum of art. 38 notes. emotion noto sakamoto.
Carsten Nicolai, aka Alva Noto, turns in an exclusive techno mix, blending tracks from Plastikman, Rrose, Emptyset and Function. Carsten Nicolai, better known as Alva Noto, should need barely any introduction on these pages. Nicolai has been challenging established techno concepts since the mid-90s, releasing his minimal experiments first on his Noton label and then on German powerhouse Mille Plateaux, where he began to define his idiosyncratic style. Taking rhythms from R&B and hip-hop, Nicolai built 2001’s genre-bending Transform, an album that fused pop’s heaving lilt with techno’s relentless forward thrust