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Shania Twain - Come On Over album mp3

Shania Twain - Come On Over album mp3

Performer: Shania Twain
Title: Come On Over
Country: US
Released: 1997
Style: Country Rock, Pop Rock
Rating: 4.1
Votes: 711
Other formats: MP2 MPC AA FLAC MMF MOD VOX

Redirected from Come On Over (Shania Twain album)). Come On Over is the third studio album recorded by Canadian country music singer Shania Twain. It was released on November 4, 1997. It became the best-selling country music album, the best-selling studio album by a female act, and the best selling album by a Canadian. It is the eighth best-selling album in the United States, and sixteenth best-selling album in the United Kingdom.

Come on Over, the sequel to The Woman in Me, continues that approach, breaking from contemporary country conventions in a number of ways. Not only does the music lean toward rock, but its 16 songs and, as the cover proudly claims, "Hour of Music," break from the country tradition of cheap, short albums of ten songs that last about a half-hour.

Shania Twain is the self-titled debut studio album by Shania Twain, released on April 20, 1993 by Polygram and Mercury Records. The album achieved little to moderate commercial success worldwide when first released, but following the significant success of Twain's subsequent studio albums, an increased interest in Shania Twain developed, leading it to be certified platinum in the United States for shipments of one million copies.

Come On Over by Shania Twain is one hour and twenty-six minutes and was released on November 4, 1997 and has since gone double Diamond. Come On Over was the number one Top Country Album for 1999. Only five of the sixteen songs on this cassette did not chart; that says a lot for this album. The Woman In Me got Shania noticed but this was hear break-out album. Come on Over took home four Grammy Awards; two in 1998 and two in 1999. The album itself is a mixture of county, rock, and pop genre. The songs on this cassette range from anywhere upbeat, sad, funny and serious. In my opinion this is her.

Band Name Shania Twain. Album Name Come on Over. 4. Black Eyes, Blue Tears. 5. I Won't Leave You Lonely. 6. I'm Holdin' on to Love (to Save My Life). 8. You've Got a Way (Notting Hill Remix).

Before Shania Twain, country music still largely felt like an American niche. After she released Come On Over in 1997, all of that changed. Why Come On Over Is Important: Well, it's the best-selling country album of all time. It's also the best-selling album by a female artist. It spawned an insane 12 singles (seven No. 1's), won four Grammys and spent 50 weeks at the top of the chart. But beyond the numbers, the album accomplished some amazing feats. For one, Twain wrote every song on the record (alongside producer and husband Mutt Lange)

Produced by Robert John Mutt Lange. Get a life, get a grip Get away somewhere, take a trip Take a break, take control Take advice from someone you know. Come on over, come on in Pull up a seat, take a load off your feet Come on over, come on in You can unwind, take a load off your mind. Make a wish, make a move Make up your mind, you can choose When you're up, when you're down When you need a laugh come around.

Tracklist Hide Credits

1 Man! I Feel Like A Woman! 3:53
2 I'm Holdin' On To Love (To Save My Life) 3:30
3 Love Gets Me Every Time 3:33
4 Don't Be Stupid (You Know I Love You) 3:35
5 From This Moment On
Arranged By [Strings], Strings – Carl Marsh , David Hamilton Vocals [Guest Vocal] – Bryan White
4:43
6 Come On Over 2:55
7 When 3:39
8 Whatever You Do! Don't! 4:04
9 If You Wanna Touch Her, Ask! 4:04
10 You're Still The One 3:34
11 Honey, I'm Home 3:39
12 That Don't Impress Me Much 3:38
13 Black Eyes, Blue Tears 3:39
14 I Won't Leave You Lonely 4:13
15 Rock This Country! 4:23
16 You've Got A Way 3:24

Companies, etc.

  • Record Company – Columbia House – P2 36003
  • Marketed By – Columbia House
  • Phonographic Copyright (p) – Mercury Records
  • Copyright (c) – Mercury Records

Credits

  • Accordion – Joey Miskulin (tracks: 6, 14)
  • Acoustic Guitar [All], Guitar [Nylon String, All], Electric Guitar [Electric Riff & Rhythm Guitars] – Biff Watson
  • Drums – Paul Leim
  • Electric Bass, Bass [Fretless] – Joe Chemay
  • Electric Guitar [Electric Riff & Rhythm Guitar], Guitar [All Guitar Textures], Effects [Talk Box], Electric Guitar [Electric 12-string, Wa-wa], Bass [6-string], Sitar [Electric] – Dann Huff
  • Electric Guitar [Lix] – Brent Mason (tracks: 1 to 4, 7, 8, 11 to 13, 15)
  • Electric Piano [Wurlitzer] – John Hobbs (tracks: 1, 9), John Jarvis (tracks: 4)
  • Engineer [Emerald Sound Studios, Assistant] – Tim Waters
  • Engineer [Emerald Sound Studios] – Bob Bullock
  • Engineer [Glenn Gould Studio, Assistant] – Mark Stewart
  • Engineer [Glenn Gould Studio] – Mike Carroll
  • Engineer [Masterfonics Tracking Room, Assistant] – Mark Hagen
  • Engineer [Masterfonics Tracking Room], Engineer [Masterfonics, Additional Recording] – Jeff Balding
  • Engineer [Seventeen Grand Recording, Assistant] – Sandy Jenkins
  • Engineer [Seventeen Grand Recording] – Brian Tankersley
  • Fiddle – Larry Franklin (tracks: 4, 6, 8, 11, 15), Rob Hajacos (tracks: 3, 13), Stuart Duncan (tracks: 1)
  • Fiddle [Gang Fiddles By The "bow Bros"] – Aubrey Haynie (tracks: 1, 3, 4, 8, 11, 13, 15), Glen Duncan (tracks: 1, 3, 4, 8, 11, 13, 15), Joe Spivey (tracks: 1, 3, 4, 8, 11, 13, 15), Rob Hajacos (tracks: 1, 3, 4, 8, 11, 13, 15)
  • Guitar [Solos] – Brent Mason (tracks: 3, 7, 12), Dann Huff (tracks: 1, 2, 5, 11, 13)
  • Mandolin – Eric Silver (tracks: 6, 7, 10)
  • Mastered By – Glenn Meadows
  • Mixed By – Mike Shipley
  • Organ – Arthur Stead (tracks: 6, 7, 9), John Hobbs (tracks: 10)
  • Piano [Acoustic] – Arthur Stead (tracks: 6), John Hobbs (tracks: 14), John Jarvis (tracks: 2, 3, 10, 13), Michael O'Martian* (tracks: 5, 9)
  • Producer – Robert John "Mutt" Lange*
  • Programmed By [Assistant Programming] – James Somberg, Jay Alverez
  • Programmed By [Pre-production Programming] – Bjorn Thorsrud
  • Programmed By [Sven Studios, Sound Barrier Studios], Engineer [Sven Studios, Sound Barrier Studios], Programmed By [All Programming], Technician [Pro-tools], Sequenced By, Edited By – Olle Romo
  • Slide Guitar – Larry Byron* (tracks: 1, 11)
  • Steel Guitar [Cosmic Steel & Solo] – Paul Franklin (tracks: 8)
  • Steel Guitar [Lap Steel & Solo] – Bruce Bouton (tracks: 9)
  • Steel Guitar [Pedal Steel] – Bruce Bouton (tracks: 8, 10), John Hughey (tracks: 5, 6, 14), Paul Franklin (tracks: 1 to 4, 7, 11, 12, 13, 15)
  • Steel Guitar [Steel Solo] – Bruce Bouton (tracks: 10)
  • Synthesizer – Arthur Stead (tracks: 5, 16)
  • Technician [The Consistent Assistant / Additional Engineering / Tech Maintenance / "the Food Dude" / Tlc] – Rob De Groff*
  • Written-By – Lange*, Twain*

Notes

℗ & © 1997 Mercury Records, a PolyGram company.
Distributed by Columbia House. Made in Canada.

Booklet contains the catalog number "314 536 003-2".

Trax Recorded at Masterfonics Tracking Room (Nashville, TN)
Additional Recording at:
Masterfonics (Nashville, TN)
Emerald Sound Studios (Nashville, TN)
Glenn Gould Studio (Toronto, Canada)
GBT Studio (Nashville, TN)
Seventeen Grand Recording (Nashville, TN)
Sven Studios (Mamaroneck, NY)
Sound Barrier Studios (New York, NY)

Barcode and Other Identifiers

  • Barcode: 7 7749-523571 1 02
  • Matrix / Runout: 19KW1 P236003
  • Mould SID Code: 6705

Other versions

Category Artist Title (Format) Label Category Country Year
314-536 003-2 Shania Twain Come On Over ‎(CD, Album) Mercury 314-536 003-2 US 1997
558 000-2 Shania Twain Come On Over ‎(CD, Album) Mercury 558 000-2 Australia 1998
170 081-2 Shania Twain Come On Over ‎(CD, Album, RE) Mercury 170 081-2 Brazil 1999
170 081-2 Shania Twain Come On Over ‎(CD, Album, RE, RP) Mercury 170 081-2 Brazil Unknown
170 081-2 Shania Twain Come On Over ‎(CD, Album, Uni) Mercury 170 081-2 UK & Europe 1999


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