» » Max Reger - Variations And Fugue On A Theme Of Georg Philipp Telemann, Op. 134 / Variations And Fugue On A Theme Of Wolfgang Amadeus Mozart, Op. 132a
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Max Reger - Variations And Fugue On A Theme Of Georg Philipp Telemann, Op. 134 / Variations And Fugue On A Theme Of Wolfgang Amadeus Mozart, Op. 132a album mp3

Max Reger - Variations And Fugue On A Theme Of Georg Philipp Telemann, Op. 134 / Variations And Fugue On A Theme Of Wolfgang Amadeus Mozart, Op. 132a album mp3

Performer: Max Reger
Title: Variations And Fugue On A Theme Of Georg Philipp Telemann, Op. 134 / Variations And Fugue On A Theme Of Wolfgang Amadeus Mozart, Op. 132a
Style: Romantic
Rating: 4.7
Votes: 966
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Variations & Fugue On A Theme Of Telemann, Op. 134. Piano – Hugo Steurer. B. Variations & Fugue On A Theme Of Mozart, Op. 132a. Piano – Alfons & Aloys Kontarsky. Composed By – Max Reger. Other Versions (1 of 1) View All. Cat.

Variations and Fugue on a Theme of Telemann. Reger, Max. Opus/Catalogue NumberOp. I-Catalogue NumberI-Cat. Hyperion Records "Max Reger's Telemann Variations, Op134: Analysis and Critical Evaluation (Christian Peter Bohnenstegel, May 2007 submission for doctoral dissertation for Degree of Doctor of Musical Arts, University of Nebraska Lincoln. Reger used the minuet from the "Minuet-and-Trio" of Telemann's Tafelmusik in B-flat major as his theme, which he found in Riemann's Anleitung zum Generalbaß-Spielen. Bohnenstegel, chapter 4, . 5.

Disc: 1. 1. Variations And fugue On A Theme Of Johann Sebastian Bach, Op 81: Theme Andante. 2. Variations And fugue On A Theme Of Johann Sebastian Bach, Op 81: Variation I L'istesso tempo. 3. Variations And fugue On A Theme Of Johann Sebastian Bach, Op 81: Variation II (sempre espress. 4. Variations And fugue On A Theme Of Johann Sebastian Bach, Op 81: Variation III Grave assai. 134: Theme Tempo di Minuetto. 23. Variations And Fugue On A Theme Of Georg Philipp Telemann, Op. 134: Variation I (L'istesso tempo). Max Reger is considered to be the most important composer to emulate Brahms style of composing and moved German music forward into the 20th century. He was a very important composer of his time, and surpassed many of the 19th century composers in the amount of music he wrote during his short life.

Introduction and Variations on a Theme by Mozart, Op. 9, is one of Fernando Sor's most famous works for guitar. It was first published in London in 1821 and dedicated to Sor's brother Carlos.

Listen with no limits on the JioSaavn app. Get JioSaavn. "url":null,"pid":"9ETQM8tx","length":"46"}. Variations and Fugue On a Theme By Georg Philipp Telemann, Op. 134: No. 4 L'istesso tempo (scherzando). Bach: Variations Op. 81 & Telemann: Variations Op. NA. {"url":null,"pid":"9ETQM8tx","length":"46"}

The Variations and Fugue on a Theme by Mozart, Op. 132, is a set of variations for orchestra composed in 1914 by Max Reger; the composer conducted the premiere in Berlin on 5 February 1915. He later produced a version for two pianos, Op. YouTube Encyclopedic. The theme is drawn from the first movement of Wolfgang Amadeus Mozart's Piano Sonata in A, K. 331, and is first presented by the oboe and two clarinets before being repeated by strings. Its second part appears again in the oboe and clarinet supported by high strings, and then is again repeated by the string section. Eight variations follow; then the fugue, in which the subject appears first in first violins before being answered after eight bars by the second violins. The piece concludes with a final, forceful statement of the theme by trumpets.

Variations and Fugue on a Theme by Telemann Piano solo Peters. Reger Max - Variations And Fugue O. 00 - Orchestra Pocket, Study conductor Eulenburg.

132: Fugue: Allegretto Grazioso' by Max Reger has a tempo of 132 beats per minute (BPM) on 'Psalm 100, Mozart Variations (Russian State Symphonic Cappella & Orchestra feat. conductor: Valeri Polyansky)'. Variations and Fugue on a Theme of Mozart, Op. 132: Fugue: Allegretto grazioso Max Reger.

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