Stereotype Be is solo debut album of Kevin Max. The album blends progressive rock, world music (particularly Middle Eastern), spoken word, and traditional pop, with spiritual lyrics. My Sweet Lord" (George Harrison) – 4:32. Deconstructing Venus" – 5:01. Dead End Moon" – 5:23. End of the Beginning" – 6:06. Angel Without Wings" – 4:29. Mojo Reckoning" – 5:05. The Revolution" – 3:52. Leaving the Planet" – 4:10.
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This album has an average beat per minute of 108 BPM (slowest/fastest tempos: 79/163 BPM). See its BPM profile at the bottom of the page. BPM Profile Stereotype Be. Album starts at 129BPM, ends at 99BPM (-30), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Kevin Max. Awol.
Kevin Max – Stereotype Be. Label: ForeFront Records – FFD5290, ForeFront Records – 7243 8 25290 2 6. Format: CD, Album. Country: USA & Canada. Released: 28 Aug 2001. Bass – Toy Levin Drums – Matt Chamberlin Guitar – OwsleyPedal Steel Guitar, Guitar, Guitar – Adrian BelewVocals – Kevin MaxWritten-By – Erick Cole, Kevin Max. 3:48. 4. Angel With No Wings. Acoustic Guitar – Erick Cole, OwsleyBass – Tony LevinDrums – Matt Chamberlin Guitar – OwsleyVocals, Keyboards – Kevin MaxWritten-By – Erick Cole, Kevin Max. 4:23.
Because that's what Kevin Max did. Formerly 1/3 of the Christian band Dc Talk, Max had perhaps the most distinct voice of the trio. Also comprised of Michael Tait and Toby McKeehan (. Toby Mac), Dc Talk were instrumental in changing the face of Christian music; originally a hip-hop act, they opted for more of a rock direction in their later years.
In the spring of 2001, Toby McKeehan, Kevin Max and Michael Tait of DC Talk released Solo. The EP aimed to introduce listeners to the trio as individuals, showcasing two songs from each of their upcoming solo releases. In July 2001, Michael Tait's project Empty was issued, followed by Kevin Max's Stereotype B in late August. Stereotype B, a much-anticipated album, combines pop, rock, and world music to create a versatile and intriguing project. Warranting multiple listening sessions, the release is intricately layered with detail and depth both musically and lyrically.