Album: Brahms: Symphony No. 3, Carlo-Maria Giulini vs. Bruno Walter. Carlo Maria Giulini, Carlo Maria Orchestra, Philharmonia Orchestra - Rossini: Il barbiere di Siviglia: Sinfonia (Andante sostenuto - Allegro con brio) Essential Overtures, 2012 07:29. Christopher Warren-Green, Giuseppe Matteo Alberti, John Miller, John Wallace, Philharmonia Orchestra - Sinfonia Teatrale à 4 for Four Trumpets and Strings: I. Allegro Assai Trumpet Music from the Italian Baroque, 1985 02:48. Artist: Philharmonia Orchestra Carlo-Maria Giulini Philharmonia Orchestra, Carlo-Maria Giulini.
Tragic Overture O. 1 - Philharmonia Orchestra. 2. Thema - Chicago Symphony Orchestra. 3. Variation I (Poco Piu Animato) - Chicago Symphony Orchestra. 4. Variation II (Piu Vivace) - Chicago Symphony Orchestra. Blending high passion and archaicism, Johannes Brahms’ 4th symphony is an endlessly fascinating and moving work, travelling from the ocean-like waves of emotion in the opening allegro to the coloristic extension of fugue-like writing in the andante, the playful presto and the grand architectural finale. Brahms’ deep understanding of baroque music is in the symphony absorbed into a sweeping romantic style, a style projected through some of the world’s loveliest melodies
Philharmonia Orchestra, Carlo Maria Giulini – Symphony No. 9 in E Minor, Op. 95, B. 17. :56. Philharmonia Orchestra/Carlo Maria Giulini – Symphony No. 2 in C minor, Op. 17 ( Littl. Carlo Maria Orchestra – Variations on a Theme by Haydn ('St Anton. :51.
Carlo Maria Orchestra/Elisabeth Schwarzkopf Mozart: Don Giovanni, K. 527, Act 1 Scene 5: No. 3, Aria, "Ah! chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello). Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini 4. Pro peccatis suae gentis. Itzhak Orchestra/Carlo Maria Giulini Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto.
Coro dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Orchestra dell' Accademia Nazionale di Santa Cecilia, Orchestra dell' Accademia Nazio. Guillaume Tell, Premier Acte, Scène I: On entend des mantagnes. Coro dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Orchestra dell' Accademia Nazionale di Santa Cecilia, Orchestra dell' Accademia Nazio. Rachel, quand du Seigneur la grâce tutélaire". Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini. Guillaume Tell, Premier Acte, Scène VIII: Choeur Dansé - Hyménée, Ta journée Fortunée Luit pour nous.
They don't make recordings of Brahms' Fourths like this 1970 performance by Carlo Maria Giulini and the Chicago Symphony anymore. The reason for this is that there are very, very few conductors of Giulini's stature making recordings anymore. Brahms' Fourth is the most passionately pessimistic and the most inexorably despairing symphony of the nineteenth century and few conductors before Giulini, very few conductors after Giulini, and very, very few contemporary conductors have the essential honesty and necessary strength to realize it in performance