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Electronic music

Freeform - Heterarchy album mp3

Freeform - Heterarchy album mp3

Performer: Freeform
Title: Heterarchy
Country: UK
Released: 1996
Style: Abstract, IDM, Experimental
Rating: 4.9
Votes: 518
Other formats: AHX TTA WMA VOX MP4 ADX RA

HETERARCHY carries on from Freeform's first album, ELASTIC SPEAKERS, with more IDM, pushing the abstraction further. He establishes a moody feel immediately, with the twitchy "Culk," but "Caniton Web" is almost all about the granular rhythm, with the icy tones as more of an accompaniment.

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HETERARCHY carries on from Freeform's first album, ELASTIC SPEAKERS, with more IDM, pushing the abstraction further.

After his second album for WI, 1997's Heterarchy, he released three albums in three years for three labels: Headphone (Pattern Tub), Sprawl (Me Shape), and Sub Rosa (Green Park).

Album · 1995 · 4 Songs. See All. Melodic Sketches (1996-2010).

A heterarchy is a system of organization where the elements of the organization are unranked (non-hierarchical) or where they possess the potential to be ranked a number of different ways.

13 tracks · 22 November 2003.

UK (wise01 CD) flac/09 Unres. CD - Seeding (mine)/Freeform - Heterarchy 1996 Worm Interface, UK (wise01 CD) flac/09 Unres.

Tracklist

Culk 3:54
Late Surface 1:19
Caniton Web 6:56
Abscence 6:27
Blot 1:37
Vent 8:26
Anti Zok 6:27
Sectors 2:22
Unres 3:31
Relocation 10:55
Namme 9:21
O 5:44

Versions

Category Artist Title (Format) Label Category Country Year
WI SE01 Freeform Heterarchy ‎(CD, Album) Worm Interface WI SE01 UK 1996
wi005 Freeform Heterarchy ‎(Cass, Album) Worm Interface wi005 UK 1996


Reviews (1)
Buriwield
HETERARCHY carries on from Freeform's first album, ELASTIC SPEAKERS, with more IDM, pushing the abstraction further. He establishes a moody feel immediately, with the twitchy "Culk," but "Caniton Web" is almost all about the granular rhythm, with the icy tones as more of an accompaniment. The tracks seems more spacious here, incorporating silences more often, and the interludes are much more abstract. Even longer tracks, like "Abscence," follow their own internal logic rather than go along a predictable path. Sure, some track, such as "Vent" , have a tendency to wander, but "Anti Zok" re-establishes a rhythmic pattern, though it still wobbles this way and that, with hints of free jazz (a feel that reprises in "Unres"). "Relocation" trucks in some ethnic sounds and instrumentation (perhaps a precursor to his future AUDIOTOURISM series) but even this eventually gives way the abstraction, which "Namme" carries along. And, finally, "0" ends the album on an icy note, the sounds of an arctic submarine. Definitely for those who like their music more on the fragmented side.

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